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Alia Bhatt: “Alia trusted me with her house”. ‘Dhurandhar’ designer Rupin Suchak reveals how Alia Bhatt changed her career in interior design after noticing her design skills in R Balki’s office | Hindi Movie News:


Production designer Rupin Suchak, known for films like “Go Goa Gone” and “Dhurandhar,” reveals how designing Alia Bhatt’s home changed her career, opening doors to interior design. He reflects on the different demands of film sets versus homes, stressing that his core goal – creating emotionally memorable spaces – remains unchanged across mediums.

Rupin Suchak is an accomplished production designer known for his work in films like ‘Go Goa Gone’ (2013), ‘Happy Ending’ (2014), ‘Dear Zindagi’ (2016), ‘Pad Man’ (2018), and ‘Khel Khel Mein’ (2024). He also lent his skills as an additional production designer to the widely acclaimed ‘Dhurandhar’ (2025) and ‘Dhurandhar The Revenge’ (2025). Along with his film work, Rupin established himself as a skilled interior designer as well.

Rupin Suchak on: Alia Bhatt:This is the role of his career shift

In a conversation with Mumbai Mirror, he opened up about how Alia Bhatt played a key role in guiding him towards interior design, which eventually became an integral part of his work. Rupin Suchak shares, “After nearly five years in production design, the turning point was unexpected when I was commissioned to design the office of filmmakers (R) Balki and Gauri Shinde. What started as a project changed the direction of my career. During the project, Alia Bhatt visited the office and responded strongly to the design. Before long, he trusted me to design his house. That project opens a new chapter. One commission led to another and soon interior design became a major part of my practice”.

Rupin Suchak on the difference between film sets and houses

In the same conversation, Rupin acknowledged that creating spaces for films is a completely different challenge compared to designing one’s actual home. He said, “I always joke that I have spent most of my career building worlds that people live in for years or encounter for two seconds on the screen. Ironically, the biggest challenge in moving from film sets to homes is not creativity but patience. Film production continues with relentless deadlines. Interiors require long conversations, planning, collaboration and attention to how people live. “He concluded, saying, “Whether I’m working on a film, a commercial or a residence, the goal remains the same. I want people to feel something.



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